This essay, originally posted in August 2013, contained the germ of the idea for the four-volume set Senses and Sensation: Critical and Primary Sources, published by Bloomsbury in March 2018, and acquired by Routledge in 2020. Understanding Atmospheres: Culture, Materiality and the Texture of the In-between.Uncommon Senses IV: Sensory Ecologies, Economies, and Aesthetics.Uncommon Senses IV Virtual Book Exhibition.Through Nonhuman Ears: Toward Object-Oriented Listening.The Battle of Atmospheres: Dirt, Ethics and Energy Saving Technologies.Staging Sound in the Museum: The Ears-on Experience of History.Sound Signatures 2014: From Hearing Tubes to Computer Hacking.Shifting Positions: Writing Materialities of Sound.Sensory Worlds: Environment, Value and the Multi-Sensory.Sensory Scholarship: New Directions in Theory and Methodology.Sensing the City: Experience, Emotion and Exploration, c.1600-2013.Sensing Cultures: Practice, Performance, Display.Next-Generation Sensory Studies Scholarship: Breaking Research.Next-Generation Sensory Studies Scholars.Mediations of Sensation: Threshold/Saturation Performative Environment.Marketing’s Tidemarks, Legacies from Anthropology: Tracing the Future of Sensory Marketing.Inuit Orienting: Traveling Along Familiar Horizons.Endorsement – Food, Senses and the City.Emotive Cognition & Sensuous Devotion In Catholicism.Disgust: History, Language, Politics and Aesthetics of a complex emotion.
Blurred Rhythms: a brief audio-textual journey into the messiness of everyday sonic life.“Throwing Sound at Canvas”: Synesthesia in the Art of James Dupree.
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